L3 Maximizer:

When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

Featuring

• PLMixer™ Peak Limiting Mixer automatically maximizes volume
• 5-Band Linear Phase EQ for sweet highs and punchy lows
• IDR™ Increased Digital Resolution Dithering & Noise Shaping
• Brickwall Limiting on all 5 user-definable bands
• Master and Individual ARC™ Adaptive Release Controls
• Priority Controls for individual band attenuation
• Separation Control for blending band interaction
• Double precision processing

Controls

2 Plug-in Components L3 Ultramaximizer and L3 Multimaximizer

Peak Limiter
• Threshold -30dB to 0dB
• Out Ceiling -30dB to 0dB
• Attenuation Meter -30dB to 0dB

Ultramaximizer Only Controls
• Release 0.10 to 10
• Profile Sets up the behavior of each band's parameters according to pre-set values

Multimaximizer Only Controls
• Master Release 5 release behavior types and release amount (in ms) affecting all bands
• Crossover Controls Low (40Hz – 351Hz), Low Mid (150Hz – 2997Hz), High Mid (1022Hz – 4757Hz) and High (4kHz – 16kHz)
• Separation 0 (all bands will be fed into every band’s detector) to 100 (total separation)
• Gain -12dB to +12dB per band
• Priority -12 to +12 per band. Bands with higher priority receive less attenuation
• Release 0.1ms to 2,500ms
• Gain and Priority Link Switch

IDR
• Quantize 24, 22, 20, 18 or 16bit
• Dither Type 1, 2, or None
• Shaping Moderate, Normal, Ultra or None
• IDR Active/Bypass will light up in red when active

Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For Pricing.

 

 

V-EQ4:

Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.

LP/HP - Selectable Lowpass or Highpass filter

• 5 HP cutoff points (Hz): 27, 47, 82, 150, 270
• 5 LP cutoff points (kHz): 15, 12, 8.7, 5.6, 3.9

LF - Low Frequency gain and cutoff

• Continuously adjustable boost/cut up to ±18 dB
• 5 cutoff points (Hz): 33, 56, 100, 180, 300
• Slope: ±18 dB per octave

EQL - Equalizer on/off switch

PHASE - Reverses output signal phase

SHELF/BELL - Sets the LF and HF curve shapes

LMF - Low middle frequency gain and cutoff
• High Q Bell continuously adjustable gain ±18 dB
• 10 cutoff points (Hz): 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200

Hi-Q - Sets LMF or HMF bell curves to a higher Q (±18dB)

HMF - High Middle Frequency gain and cutoff
• High Q Bell gain adjustment, continuously adjustable ±18 dB
• 9 cutoff points (kHz): 1.5, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 8.2

HF - High Frequency filter gain and cutoff
• Switchable between shelf (default) and bell
• Continuously variable gain ±18 dB
• 5 cutoff points (kHz): 3.3, 4.7, 6.8, 10, 15

OUTPUT - Controls output level in 0.1 dB increments from -18 dB to +18 dB

TRIM METER / RESET - Displays peak output, measured in dBFS, resets Trim

ANALOG - Analog modeling on/off

Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For Pricing.

 

 

Renaissance Reverb:

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance, with extraordinary texture and density.

Featuring
• 12 reverb types including Halls, Plates, Gated, Reverse, and more
• Paragraphic dual-band EQ and damping with High and Low frequency controls
• De-correlation for fine tuning early reflections 
• Negative Predelay delays the dry signal
• Predelay, Time, Size, Diffusion and Decay controls
• Early Reflections, Reverb Tail, Wet/Dry balance and Input Gain controls

 

Controls

Reverb Type Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb

Decorrelation Amount of correlation between left and right channels within the early reflections. Variation 0 to Variation 6

Pre-delay -160ms to +160ms

Time Decay time of the reverb tail, ranging from 0.1s to 20s

Size 1 to 100

Diffusion 0 to 100

Decay 0.04 to linear

Damping Controls

• Low Freq 16Hz to 16kHz cutoff frequency for low damping
• Low Ratio 0.10 to 2.00 low damping ratio
• High Freq 1,000Hz to 21kHz cutoff frequency for high damping
• High Ratio 0.10 to 2.00 high damping ratio

EQ Controls
• Low Freq 16Hz to 16kHz cutoff frequency
• Low Gain -24dB to +12dB
• High Freq 1kHz to 21kHz cutoff frequency
• High Gain -24dB to +12dB

Early Reflections Off to 0dB

Reverb Off to 0dB

Wet/Dry 0% to 100% wet

Gain Input gain from -24dB to 0dB

Output Meter with peak hold and clip indicators

Call (303) 443-9822 OR Email Sales@WindOverTheEarth.Com For Pricing.